American comic book writer & creator (1922- )
Excelsior!
STAN LEE
closing signature line on "Stan Lee's Soapbox" editorial pages
Once, I'd written a Western story, and one of the panels was just a hand holding a six-shooter, and there was a puff of smoke coming out of the barrel, and a straight horizontal line, indicating the trajectory of the bullet. So that page was sent back to me from the Code office, saying that the particular panel was too violent. I asked them what they meant, and they told me--I swear--"The puff of smoke is too big." Well, of course. So I had the artist make the smoke a little smaller, and the youth of America was saved.
STAN LEE
"Spidey Bites: Stan Lee's Secret for Saving Spider-Man the Musical?", Vanity Fair, March 10, 2011
If Shakespeare and Michelangelo were alive today, and if they decided to collaborate on a comic, Shakespeare would write the script and Michelangelo would draw it. How could anybody say that this wouldn't be as worthwhile an artform as anything on earth?
STAN LEE
Stan Lee: Conversations
I used to be embarrassed because I was just a comic-book writer while other people were building bridges or going on to medical careers. And then I began to realize: entertainment is one of the most important things in people's lives. Without it they might go off the deep end. I feel that if you're able to entertain people, you're doing a good thing.
STAN LEE
The Washington Post, July 23, 2010
Well, I guess we were looking for something to hook some new readers. Also, I think boredom had a little to do with it. We had been turning out books for about twenty years. Same old type all the time ... so I figured, let's try something a little more offbeat. Let's try to ... I think the big policy was to avoid the clichés. For example in the Fantastic Four, the first cliché was: all superheroes wore costumes. We soon learned that was a mistake because, much as the readers like offbeat things, there are certain basics that we must have, and apparently superhero fans do demand costumes as we learned in the subsequent mail.
STAN LEE
Castle of Frankenstein, no. 12, 1968
It never occurred to us to save any of those things. We never thought they'd have any value later on. We worked in a very small office, and the printer would send back all the original pages of artwork, but we had no place to put them. So when we ordered food, we told the delivery guy, "Hey, would you mind taking these pages and dropping them in the trash on the way out?"
STAN LEE
"Spidey Bites: Stan Lee's Secret for Saving Spider-Man the Musical?", Vanity Fair, March 10, 2011
The only time I go on the set is when I have a cameo to do in the picture. I go to the set and I do my little cameo and I meet all the people. It's a great way to spend the day. And then I go back to my own world.
STAN LEE
"Stan Lee: From Marvel Comics Genius to Purveyor of Wonder with POW!", PR, March 13, 2006
It's geeks who really make or break a TV show or movie or videogame.
STAN LEE
The Washington Post, July 23, 2010
We had bought a lot of strips that I didn't think were really all that good, but I paid the artists and writers for them anyway, and I kinda hid them in the closet! And Martin found them and I think he wasn't too happy. If I wasn't satisfied with the work, I wasn't supposed to have paid, but I was never sure it was really the artist's or the writer's fault. But when the job was finished I didn't think that it was anything that I wanted to use. I felt that we could use it in inventory--put it out in other books. Martin, probably rightly so, was a little annoyed because it was his money I was spending.
STAN LEE
"Stan the Man and Roy the Boy: A Conversation between Stan Lee and Roy Thomas", Comic Book Artist, summer 1998
My favorite movie star, far and away, was Errol Flynn. I thought that this guy was the greatest because he always played such heroic roles. He was either the sheriff of Dodge City, or he was Robin Hood, or he was Captain Blood. When I would leave the theater, I'd be about 10 years old I guess ... I would imagine I had a little crooked smile on my face the way Errol Flynn did, and an imaginary sword at my side. I'd be looking around for little girls that might be [attacked] by some bullies.
STAN LEE
"Stan Lee: From Marvel Comics Genius to Purveyor of Wonder with POW!", PR, March 13, 2006
I just figured that Bruce Banner had probably been a friend of Reed Richards, and Reed had given him some elastic trousers. There's an explanation for everything, but you may not be technically advanced enough to follow me on all of this.
STAN LEE
"Spidey Bites: Stan Lee's Secret for Saving Spider-Man the Musical?", Vanity Fair, March 10, 2011
Face front, true believers!
STAN LEE
often-used line on "Stan Lee's Soapbox" editorial pages
Some artists, such as Jack Kirby, need no plot at all. I mean I'll just say to Jack, "Let's let the next villain be Dr. Doom" ... or I may not even say that. He may tell me. And then he goes home and does it. He's so good at plots, I'm sure he's a thousand times better than I. He just makes up the plots for these stories. All I do is a little editing ... I may tell him that he's gone too far in one direction or another. Of course, occasionally I'll give him a plot, but we're practically both the writers on the things.
STAN LEE
Castle of Frankenstein, no. 12, 1968
Kids like comics as much as ever, but a very unusual thing happened. There used to be a very big collectors' market; all of a sudden people were paying high prices for back issues of comics. Houses like Sotheby's would have big auctions, and kids would read that a comic book, which originally cost a dime, was sold for $20,000. There were newspaper articles: "Comic books are a better investment than stocks." So, instead of buying one issue of a magazine, they'd buy twenty. They wouldn't even read them, never took them out of the cellophane. Suddenly a book that sold 200,000 was selling a million or half a million. It was the greatest thing. Then the market crashed.
STAN LEE
Stan Lee: Conversations
The "problem" is that Comic-Con is so damned successful. People who are there seem to have a wonderful time. The very size of it makes it exciting. Wherever you look, there's something exciting. The attendees are always looking around for a familiar face. It's either 'There's a movie star!' Or, 'There's a TV star!' Or, 'There's the guy who drew the Green Lantern!' It means so much to the fans. It makes them feel like they're where it's happening. It's like Woodstock.
STAN LEE
The Washington Post, July 23, 2010
Achilles, without his heel, you wouldn't even know his name today.
STAN LEE
"Stan Lee: From Marvel Comics Genius to Purveyor of Wonder with POW!", PR, March 13, 2006
First I gave it to Jack Kirby to do, but Jack always drew these very heroic characters, like Captain America. I said to him, "You know Jack, I want this fellow Peter Parker, I want him to be just an average teenager. Don't let him look like your typical muscular superhero." I guess Jack was so used to drawing those kinds of people, that after he drew a page or two I looked at it and I said, "No, that's not right." So I said, "Forget it Jack. I'll give it to another artist." And Jack didn't care; he had a lot of other things to do, and we didn't realize this was going to become such a big script. So I gave it to Steve Ditko, who tended to draw things a little more realistically and more down to earth. And he did it, and I really don't interfere much in what the costume will look like. Steve pretty much invented the [Spider-Man] costume himself.
STAN LEE
"Stan Lee: From Marvel Comics Genius to Purveyor of Wonder with POW!", PR, March 13, 2006
I had a publisher who felt comics were just for little kiddies, so he never wanted me to use words of more than two syllables.
STAN LEE
interview, Syfy
The power of prayer is still the greatest ever known in this endless eternal universe.
STAN LEE
The Avengers, #14
It's the fact that fans still care. I like all the comics conventions: The smaller ones are easier, the bigger ones are exciting.... Each one I say: Never again. But they're all great.... These things are important because they keep the fans' interest alive in comics. They keep the fans reading and their imaginations stimulated.
STAN LEE
The Washington Post, July 23, 2010