WRITING QUOTES XIX

quotations about writing

Writing a novel is like working on foreign policy. There are problems to be solved. It's not all inspirational.

JAMES M. CAIN

The Paris Review, spring-summer 1978


I think a writer's job is to provoke questions. I like to think that if someone's read a book of mine, they've had--I don't know what--the literary equivalent of a shower. Something that would start them thinking in a slightly different way perhaps. That's what I think writers are for. This is what our function is.

DORIS LESSING

The Paris Review, spring 1988


I don't begin a novel with a shopping list--the novel becomes my shopping list as I write it. It's like that joke about the violin maker who was asked how he made a violin and answered that he started with a piece of wood and removed everything that wasn't a violin. That's what I do when I'm writing a novel, except somehow I'm simultaneously generating the wood as I'm carving it.

WILLIAM GIBSON

The Paris Review, summer 2011


I would say that the writers I like and trust have at the base of their prose something called the English sentence. An awful lot of modern writing seems to me to be a depressed use of language. Once, I called it "vow-of-poverty prose." No, give me the king in his countinghouse. Give me Updike.

MARTIN AMIS

The Paris Review, spring 1998


I compelled myself all through to write an exercise in verse, in a different form, every day of the year. I turned out my page every day, of some sort--I mean I didn't give a damn about the meaning, I just wanted to master the form--all the way from free verse, Walt Whitman, to the most elaborate of villanelles and ballad forms. Very good training. I've always told everybody who has ever come to me that I thought that was the first thing to do.

CONRAD AIKEN

interview, The Paris Review, winter-spring 1968


The world is a hellish place, and bad writing is destroying the quality of our suffering. It cheapens and degrades the human experience, when it should inspire and elevate.

TOM WAITS

"Strange Innocence", Vanity Fair, July 2001

Tags: Tom Waits


It is because we have had such great writers in the past that a writer is driven far out past where he can go, out to where no one can help him.

ERNEST HEMINGWAY

Nobel Prize speech, December 10, 1954


There is a realm of possible knowledge which can be reached by artists, which is not susceptible of mathematical verification but which is true. This is sometimes spoken as the ineffable. If there is any word I detest in the language, this would be it, but the fact that it exists, the word ineffable, is suspicious in that it suggests that there might be something that is ineffable. And I believe that that's the place artists are trying to get to, and I further believe that when they are successful, they reach it.

DONALD BARTHELME

"A Symposium of Fiction"


When I am asked how or why I wrote this or that, I always find myself quite embarassed. I would gladly furnish not merely the questioner, but myself as well, with an exhaustive answer, but can never do so. I cannot recreate the context in its entirety, yet I wish that I could, so that at least the literature I myself make might be made slightly less of a mysterious process than bridge-building and bread-baking.

HEINRICH BÖLL

Nobel Lecture, May 2, 1973

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Gotta have a head like a wrecking ball, a spirit like one of them punching clown dummies that always weeble-wobbles back up to standing. This takes time. Stories need to find the right home, the right audience. Stick with it. Quitting is for sad pandas.

CHUCK WENDIG

250 Things You Should Know About Writing

Tags: Chuck Wendig


This is our goal as writers, I think; to help others have this sense of--please forgive me--wonder, of seeing things anew, things that can catch us off guard, that break in on our small, bordered worlds.

ANNE LAMOTT

Bird by Bird

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I tend to be very much a planner. I mean obviously details veer in the telling all the time, that's clearly the case, but in terms of the broad architecture of a book I plot carefully and if things start to veer halfway through, I tend to stop and either pull them back on course, or if I realize they are going in a better direction, I extrapolate and work out what effect this is going to have further down. I am not one of these writers who is able to enjoy flying by the sit of my pants. And there's no value judgment there, incidentally. I am very well aware that some absolutely fantastic, wonderful writers do that. For me, no, I cannot do it. I have to plan quite meticulously.

CHINA MIÉVILLE

"In a Carapace of Light: A Conversation with China Miéville", Clarkesworld


Learn to write well, or not to write at all.

JOHN DRYDEN

Essay on Satire

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To write is to act.

HENRI-DOMINIQUE LACORDAIRE

Letters to Young Men

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If you're writing about a character, if he's a powerful character, unless you give him vulnerability I don't think he'll be as interesting to the reader.

STAN LEE

interview, March 13, 2006

Tags: Stan Lee


I made up my mind long ago to follow one cardinal rule in all my writing -- to be clear. I have given up all thought of writing poetically or symbolically or experimentally, or in any of the other modes that might (if I were good enough) get me a Pulitzer prize. I would write merely clearly and in this way establish a warm relationship between myself and my readers, and the professional critics -- Well, they can do whatever they wish.

ISAAC ASIMOV

introduction, Nemesis

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First, think in as homely a way as you can; next, shove your pen under the thought, and lift it by polysyllables to the true level of fiction.

CHARLES READE

Peg Woffington

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The man, the writer, the instrument of the creation will die, but his creation does not die.

LUIGI PIRANDELLO

Six Characters in Search of an Author

Tags: Luigi Pirandello


Everybody can write; writers can't do anything else.

MIGNON MCLAUGHLIN

The Complete Neurotic's Notebook

Tags: Mignon McLaughlin


I was aware that you weren't supposed to write about suburbia, that it was undignified in some way, the subject matter not momentous enough. And so, for a long time, that kept me from writing about it. But once I began, I realized it was just as interesting as anywhere else.

JEFFREY EUGENIDES

The Paris Review, winter 2011