WRITING QUOTES XXXI

quotations about writing

Publishing is a terrible invasion of my privacy. I like to write. I live to write. But I write just for myself and my own pleasure.

J. D. SALINGER

attributed, Salinger: A Biography


In utter loneliness a writer tries to explain the inexplicable.

JOHN STEINBECK

New York Times, June 2, 1969


I don't like to write from a flat, cold position. You must like what you're doing very much or like the people -- either like them or hate them. You can't be indifferent.

SAUL BELLOW

Q & A at Howard Community College, February 1986


The reason why so few good books are written is, that so few people who can write know anything. In general an author has always lived in a room, has read books, has cultivated science, is acquainted with the style and sentiments of the best authors, but he is out of the way of employing his own eyes and ears. He has nothing to hear and nothing to see. His life is a vacuum.

WALTER BAGEHOT

Shakespeare: The Man

Tags: Walter Bagehot


I don't actually talk about my books much, because I find if I talk about them I don't want to write them anymore. I write to find out what happens. You know how you read a book? That's what I'm doing except I'm just doing it a lot slower because it takes a lot longer to do.

CHARLES DE LINT

"Music and Myth: A Conversation with Charles de Lint", The Internet Review of Science Fiction

Tags: Charles de Lint


There's no magic bullet for being a decent writer, or making people bond with your characters or fall in love with your story. Writing is a million different skills and challenges, and each story is different. But the more I struggle to make this work, the more I think there's one key thing that makes writing more excellent: Finding your own blind spots as an author, and trying to see into them.

CHARLIE JANE ANDERS

"The Single Most Important Thing You Can Do To Make Your Writing More Awesome", Gizmodo, February 25, 2016


Every character is an extension of the author's own personality.

EDWARD ALBEE

The New York Times, September 18, 1966

Tags: Edward Albee


Every author has the whole past to contend with; all the centuries are upon him. He is compared with Homer, Dante, Shakespeare, Milton.

HENRY WADSWORTH LONGFELLOW

Table-Talk

Tags: Henry Wadsworth Longfellow


As a writer -- it must be the same for actors -- you're used to dealing with the idea of death and all the big questions. Unless you're writing purely for five-year-olds, about bunnies, you're going to have to think about death. Your characters will die and people will live on afterwards who cared about them. You need to be able to empathise with them. Of course, we all go through it; we all have people close to us die. But as a writer you really have to think it through properly, or it'll all ring false. It's almost one of the perks of the trade that you're forced to think about that stuff fairly deeply. So maybe when it comes along in real life, you're slightly better prepared to deal with it.

IAIN M. BANKS

"Iain Banks: The Final Interview", The Guardian, June 14, 2013


First forget inspiration. Habit is more dependable. Habit will sustain you whether you're inspired or not. Habit will help you finish and polish your stories. Inspiration won't. Habit is persistence in practice.

OCTAVIA E. BUTLER

"Furor Scribendi", Bloodchild and Other Stories


Why write it? I thought it would earn me money.

ROBERT REED

interview, Fantasy & Science Fiction, December 18, 2012


Some writers, of course, simply write, as they feel they are driven to do, by outer/inner inspirations. If, after the work is written and, hopefully, published, others respond -- that is the Champagne. But we, or some of us, don't write for the Champagne. We write because we write.

TANITH LEE

interview, Intergalactic Medicine Show

Tags: Tanith Lee


In the past, the virtue of women's writing often lay in its divine spontaneity ... But it was also, and much more often, chattering and garrulous ... In future, granted time and books and a little space in the house for herself, literature will become for women, as for men, an art to be studied. Women's gift will be trained and strengthened. The novel will cease to be the dumping-ground for the personal emotions. It will become, more than at present, a work of art like any other, and its resources and its limitations will be explored.

VIRGINIA WOOLF

"Women and Fiction", Granite and Rainbow


Writing in the first person can be claustrophobic--everything that happens in the book is notionally filtered through the narrator, and one can long for the fresh air of another perspective. One can luxuriate in the peculiar world of a character, but there are limitations. Ironizing that person's experience is difficult. You need perhaps a candid old friend of the narrator who can tell a few truths the narrator prefers to ignore.

ALAN HOLLINGHURST

The Paris Review, winter 2011

Tags: Alan Hollinghurst


You never know what you will learn till you start writing. Then you discover truths you never knew existed.

ANITA BROOKNER

attributed, Journal for You, 2003


Even though language has its richness the relationship between language and the writer is always like a stone and you have to make the stone human.

CARMEN BOULLOSA

Journal of Latin American Cultural Studies, Vol. 4, No. 2, 1995

Tags: Carmen Boullosa


The public takes from a writer, or a writing, what it needs and lets the remainder go. But what they take is usually what they need least and what they let go is what they need most.

CHARLES BUKOWSKI

Notes of a Dirty Old Man

Tags: Charles Bukowski


Writing is always a rough translation from wordlessness into words.

CHARLES SIMIC

attributed, Stealing Glimpses: Of Poetry, Poets, and Things in Between


Writing the first chapter can feel like you're trying to artificially inseminate a stampeding mastodon with one hand duct taped to your leg. That's okay. That's normal. Do it and get through it.

CHUCK WENDIG

"25 Things to Know about Writing the First Chapter of Your Novel", Terrible Minds

Tags: Chuck Wendig


I spend a lot of time loathing the sentences that I put down on the page. Once I'm past that phase, it doesn't really matter what the routine is (coffee shop, someone else's house, my dining room table), I'm pretty fast. I go back to the start of whatever I'm working on, every half hour or so, and revise my way back to where I left off. I have my headphones on, I'm checking email, I look at Twitter and Tumblr, and drink a lot of coffee. I need a lot of distraction to work.

KELLY LINK

interview, Electric Lit, February 6, 2015

Tags: Kelly Link